Il Signore degli Anelli: quando il Fantasy si spinse oltre ogni limite
Chiunque abbia letto il libro di Tolkien, sa quanto possa sembrare impossibile dare vita alla Terra di Mezzo e alle incredibili storie di incantesimi e battaglie che permeano il romanzo.
Come tutti i grandi kolossal del Cinema, la sua riuscita non poteva che dipendere da un connubio di fattori: in primis il sogno di un uomo, Peter Jackson.
Nei primi anni 2000, le tecniche degli effetti visivi erano potenzialmente in grado di creare mondi immaginari, ma Peter Jackson con Il Signore degli Anelli spinse questa macchina oltre i limiti, con innovazioni che hanno cambiato per sempre la storia del cinema.
La motion capture con cui è stato creato il personaggio di Gollum inaugura un nuovo modo di recitare per gli attori, mentre la modellistica e i software della Weta per animare migliaia di figure su un campo di battaglia danno vita ad una nuova regia per le scene di guerra.
Alla base, l’intuizione di usare i paesaggi naturali della Nuova Zelanda per creare la Terra di Mezzo. Il risultato è straordinario: gli attori stessi, sentendosi immersi in un mondo fantasy credibile, danno il meglio di loro e rendono la storia di Frodo e dell’Anello epica.
La battaglia compiuta da Jackson per convincere la produzione a dividere il film in tre capitoli fu fondamentale. Per la prima volta, il pubblico si trovó a dover aspettare la seconda e la terza parte di un film al cinema, e questo amplificó l’attesa a dismisura.
Il Signore degli Anelli diede una svolta incredibile al genere, portando il fantasy e le fiabe a livelli di eccellenza mai visti prima. Game of Thrones non sarebbe quello che è oggi, se Lord of The Rings non avesse aperto la strada al genere. E reso questa incredibile storia una magia cinematografica immortale.
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